Comments on: Gore Verbinski to Direct Clue

By: Ballard

Ballard — Sat, 11 Sep 2010 02:32:09 +0000

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By: Daedalus

Daedalus — Fri, 03 Jul 2009 19:39:34 +0000

Clue sort of encounters the same problem that the recent Batman films overcame. You couldn’t produce anything similar. The entire tone of the series was changed from its predecessors. You need something different. So Clue needs to change. Murders, farce and the butler did it won’t do. Why not a weekend at an investment party on Long Island and over the weekjend the details of an unpleasant truth are slowly emerging about a financial deal or deals that they entered with the host. Have the guests acquired inside information that they intend to use to minamizize their losses or will somebody blow the whistle? Was the host fooled? Or didn’t he care? Perhaps secure in his conviction over the strength of greed? Why should a Clue film even consider a murder? A Clue film should appeal to a sense of justice and wonder if there are more good people than bad people in this sort of environment. You need a unique film.

By: rick

rick — Mon, 23 Mar 2009 19:38:18 +0000

it’s about time they revamp this movie. The first one was so wacky and hillarious, lets see a more serious (with some humor attatched) and more horrifying version

By: Ryan M.

Ryan M. — Thu, 26 Feb 2009 05:02:39 +0000

YTF would some motherfuckers wanna make another Clue movie!? Did the first one make a lot of money? I hope not cause it was horrifically boring.

By: Movie Maven

Movie Maven — Wed, 25 Feb 2009 17:15:08 +0000

Whyyyyyyyyyyyy?!?! The 1985 version is delightfully campy and ridiculous.

By: rus in chicago

rus in chicago — Wed, 25 Feb 2009 16:42:37 +0000

Like Pirates of the Caribbean it all comes down to the screenplay. People need to realize what is going on with these projects – the studios are using the game, ride, etc. as a starting point that has a known BRAND and taking off from there. Pirates has next to nothing to do with the Disney ride other than being the “spark” to get Ted Elliot and Terry Russo started on a story idea. If the screenwriters for these board games can develop a story that meets approval of the studio head they will get made. Any past toy, board game has potential if you take the essence of that product and let the screenwriters mind wonder.

Care bears – robotic toy that helps babysit youngsters is called in to service when a robber invades.

Chutes and Ladders – Henry, a building operator for an old Gothic office tower, must navigate a world of old pipes and ladders to save a once proud building from falling in on its occupants.

Barbie – A down on her luck 80s model fights to get medical reform for woman that were methodically augmented by a worldwide cosmetic and model conglomerate.

By: Liz

Liz — Wed, 25 Feb 2009 16:18:23 +0000

“What do you think, does Clue have more potential than Monopoly or Candy Land”

Clue is the only one that already has a built in story by default, so it definitely has more potential. There’s no narrative in Monopoly or Candyland, so one has to be created and chances are it will be pretty awkward to build a story around the game, whereas Clue is your basic run-of-the-mill murder mystery. I haven’t seen the original in about fifteen years, but I don’t see why it couldn’t be done as a thriller or something.

By: Bob The Slob

Bob The Slob — Wed, 25 Feb 2009 16:02:51 +0000

god dammit! uh…yeah I know…but i need to say it…fuck the world, and damn kids and your music.

By: TheAllKnowingGod

TheAllKnowingGod — Wed, 25 Feb 2009 15:12:20 +0000

More like BORE Verbinski. LOL!