Posted by
Sean on July 31st, 2006 Filed under:
Movie Review
Miami Vice
Written and Directed by: Michael Mann
Starring: Colin Farrell, Jamie Foxx, Li Gong, Naomie Harris
Over the past few years Hollywood has been resurrecting a lot of old TV shows and giving them novelty big screen treatments, cashing in on the nostalgia factor but very rarely improving on the shows or giving us anything worth seeing. I mean, did anyone really need a Dukes of Hazzard movie?
When people think of Miami Vice, quite often they think of cheesy 80’s fashion and music, and you might assume that a big screen adaptation directed by the original series creator would be another one of these low brow parodies. I actually might not have minded that, assuming they did it in the vein of the Ben Stiller/Owen Wilson Starsky and Hutch remake. But the interesting twist is that the creator of Miami Vice is none other than Michael Mann, who has gone on to become the acclaimed director of such movies as The Insider and Collateral. Instead of going campy, Mann went in the exact opposite direction, reimagining the show’s concept to give us an ultra-stylish and dark modern cop movie.
I had my doubts about whether or not I wanted to see a Miami Vice movie that took itself so seriously, and indeed the movie starts off like a music video, opening in a nightclub with that damn Jay Z/Linkin Park remix playing and all the characters dressed to the nines (ie. my worst nightmare). But then the movie started to build momentum and I found myself getting hooked into the plot. Sonny Crockett and his partner Ricardo Tubbs get a phone call out of the blue from a friend and FBI agent who says his operation has gone awry. His cover is blown and his life is in danger. There is an intense scene of some FBI agents getting ambushed and after meeting up with their superiors, Sonny and Rico are assigned to track down the leak.
The visual style of the movie was fantastic. The locations were beautiful and the washed out colours, grainy texture and high contrast look was awesome, bringing out the feel of Miami’s seedy underbelly perfectly. Mann has used a similar style in a lot of his movies, including Collateral. Of course, the downside of Michael Mann’s style is that he also has a tendency to stretch scenes out and slow down the pace of a movie. In some cases it works, like with The Insider, where the movie focuses on the inner turmoil of its main character. However, Miami Vice is supposed to be a summer action film, and there isn’t much depth to these characters.
This is why eventually Miami Vice lost its way for me. The whole middle chunk of the movie involves their undercover wheelings and dealings, and there is very little action. It’s all setting up meetings, talking on cell phones, dropping loads and shooting loads. There is suspense whenever a confrontation occurs, but then each scene just seems to fizzle. At this point, a love story develops between Sonny and a female businesswomen. Sex and romance may have been an important element of the original Miami Vice series, but here it just derails the story. The middle stretch of the movie dragged on for what seems like an eternity, and although it tries to create conflict within the characters, it bored the hell out of me.
Now, the movie’s climax does make up for the long ride somewhat. There are two kinetic and tense action scenes that come near the end of the film, including what may be one of the best shootouts I’ve ever seen on screen. Very violent and well choreographed, and shot handheld to get across a sense of confusion and chaos. If the movie had more scenes like this it would have been amazing.
Overall the movie is way too long for what it is. The visuals are the main redeeming quality in my opinion, putting it a cut above, say, a Michael Bay movie like Bad Boys. Unfortunately, in this case most people will probably prefer Bad Boys. The slow pace, mesmerizing score and often bleak music from bands like Mogwai indicate that maybe Mann wanted to delve deeper into the psyche of his characters. Unfortunately, there is no room for character development in the script, and it feels out of place.
The truly sad thing is that Miami Vice had the potential to be one of the best movies of the year so far, but it just didn’t follow through. I will give it a mild recommendation based on the great beginning and end, but you might want to bring a pillow for the middle of this flick. — Sean