Decibully – City Of Festivals
(Polyvinyl)

It’s hard to get noticed in today’s indie rock scene — even harder still when your band doesn’t do much screaming, posing for photo shoots, or touring with anyone from the Vagrant Records roster. That isn’t a knock against current trends or bands that follow them, it is only to say that while a band like Decibully can write some great songs, I am certain they will be overlooked by many.

Yes, this is a shame, but it is partially to be expected when the music itself is low key and subtle. The band does feature former members of The Promise Ring and current members of Camden, though these connections don’t necessarily help pigeonhole their musical style. In fact, I am somewhat at a loss to describe the sound of their sophomore album, City Of Festivals. The songs are mellow, haunting and lush with a variety of instrumentation — I daresay that comparisons to Beck’s Sea Change aren’t all that farfetched, but that still doesn’t come close to pegging this band’s appeal.

Decibully actually have seven members in the band, which is interesting because none of the many instruments ever feel like they’re competing for the spotlight. From banjo to piano to wurlitzer to trombone to lap steel to chimes, the various layers of sound are delicately intertwined to create some intricate and moody pop songs.

Right from the get go it is apparent that this band is not about gimmicks or frills, the focus is strictly in writing beautiful songs for the listener to lose him or herself in. The record opens with “On The Way To Your Hotel”, a slow, wistful tune that begins ever so quietly and then builds and swirls with layers of organ, banjo and vocal harmonies. “We Belong On Rooftops” is one of the more up-tempo rock selections, while “My Lighter And Strings” has faint echoes of Radiohead in both the vocals and guitar work. “Tables Turn” features an irresistable singalong chorus, “Holy Angel Choir” trades off between catchy guitar and keys, and “Uncle Sam’s Yard” juxtaposes a vocal choir with an unmistakable country flavour.

While none of the tracks really stand out above the rest, the calming melodies have a way of sticking with you — especially after repeated listens. A few of the songs drag a little too long, but there’s still plenty of great music here. The organs and the soaring vocals are what really made this album a keeper for me. Don’t overlook this band… just because they aren’t desperate to win your attention doesn’t mean they don’t deserve it. — Sean